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Chapter 2: The Woman in the White Suit

The applause continued as I reached the end of the runway.

I stopped beneath the brightest spotlight and lowered my arms.

The wings folded naturally against the sides of the dress.

I could hear people whispering.

A woman near the judges' table was already taking photographs.

One of the event photographers moved closer, adjusting his camera to capture the gold details along the fabric.

But I wasn't looking at them.

I was looking at the woman in the white suit.

Her name was Evelyn Brooks.

She was one of the most respected figures in American fashion, a former couture designer who had spent decades building a reputation for recognizing craftsmanship that other people overlooked.

Her opinion could open doors.

Her criticism could close them.

And she was now standing less than a foot away from me.

“May I?”” she asked, gesturing toward the dress.

“Of course,” I replied.

Evelyn carefully examined the connection between the bodice and the blue panels.

She didn't touch the crystals.

Instead, she studied the stitching.

Her eyes moved along the inner seam, then toward the waist.

“These panels are balanced,” she murmured.

“They don't pull against the bodice when you extend your arms.””

“Each side carries its own weight,” I explained.

“The inner support is hidden beneath the lining.””

Evelyn nodded.

“Hand-finished?””

“Yes.””

“How long did it take?””

“Almost three months.””

She looked up.

“And how did you develop the structure?””

I smiled faintly.

“My grandmother taught me how to build volume without making fabric look heavy. I used her technique and adapted it.””

Evelyn's expression changed.

“Your grandmother?””

“Margaret Carter.””

The older judge beside her glanced at the program.

“Margaret Carter from Philadelphia?””

I nodded.

Evelyn exchanged a look with him.

“I knew her work,” she said.

“She had extraordinary hands.””

My throat tightened.

Nobody had mentioned my grandmother's name in a professional setting for years.

She had never been famous.

She had never appeared on magazine covers.

But she had created wedding dresses, evening gowns, and custom garments for women who wanted something nobody else could wear.

When she died, she left me a small wooden sewing box filled with needles, thread, and handwritten notes.

I had brought that box with me tonight.

It was in my garment bag.

Evelyn stepped back to examine the entire dress.

“You understand movement,” she said.

“That is something many designers forget.””

“Thank you.””

She looked toward the audience.

“Ladies and gentlemen, I would like everyone to take another look at this construction.””

The applause rose again.

I could see Vanessa behind the curtain.

She was no longer pretending to be relaxed.

She had moved so close to the opening that one of the backstage assistants had to step around her.

The older woman beside her remained perfectly still.

Her name was Gloria Whitmore.

I had seen her before.

She was Vanessa's mother.

For years, Gloria had been the person who encouraged Vanessa to pursue fashion. She had attended my studio openings, praised my sketches, and once told me that I was like another daughter to her.

I remembered helping her choose a dress for a charity dinner.

I remembered Gloria hugging me and saying, “You girls are going to do wonderful things together.””

Now she was standing beside the daughter who had taken my work.

And she looked frightened.

Vanessa leaned toward her.

“Mom, stop looking at me like that.””

Gloria didn't move.

“You said the files were gone.””

“They were.””

“You said she couldn't prove anything.””

Vanessa glanced toward the runway.

“Not here.””

Gloria lowered her voice.

“Then why is she standing out there with something better than what you have?””

Vanessa's jaw tightened.

“Because she got lucky.””

“Lucky?”” Gloria repeated.

“Mom, please.””

Gloria looked at the champagne gown.

Her fingers trembled slightly as she touched the crystal arrangement near the waist.

“Do you remember what happened when she came to our house?””

Vanessa turned sharply.

“Don't.””

But Gloria continued.

“She was crying. She said you had taken her sketches. You told me she was unstable.””

Vanessa grabbed her mother's wrist.

“Not another word.””

Gloria pulled her hand away.

Onstage, Evelyn was still examining my dress.

She moved toward the back of the bodice.

“Who taught you this stitch?””

I felt my heartbeat quicken.

“Which one?””

She pointed toward the narrow seam where the blue panel connected to the black bodice.

“This unusual finishing pattern.””

I looked down.

The stitches were tiny, almost invisible beneath the black piping.

“My grandmother developed it.””

Evelyn leaned closer.

“It's not a standard couture finish.””

“No.””

“What do you call it?””

I hesitated.

“Margaret's lock.””

Evelyn looked at me.

“Why?””

“Because she said a dress should never fall apart when a woman needs it most.””

For a moment, Evelyn said nothing.

Then she straightened.

“These stitches… I know this signature.””

The ballroom quieted.

I glanced at her.

“I'm sorry?””

She pointed to the seam.

“This pattern. The spacing. The way the thread crosses beneath the fabric. I've seen it before.””

My hands went cold.

Evelyn looked toward the champagne gown.

The same gown Vanessa was wearing.

She studied it from a distance, then walked back toward me.

“Who designed the dress she's wearing?””

I swallowed.

“I did.””

A murmur spread through the audience.

Evelyn's eyes remained fixed on mine.

“Are you certain?””

“Yes.””

“Can you explain why you believe that?””

I wanted to tell her everything.

About the stolen files.

About the studio.

About the money.

About the lawyers.

But I knew how quickly a room like this could turn against a woman who sounded bitter.

So I chose my words carefully.

“I created the original pattern. I cut the fabric. I designed the bead arrangement. I finished the garment myself.””

Evelyn looked toward Vanessa again.

“Did you give her permission to use your design?””

“No.””

The answer came out clearly.

A judge at the table raised his eyebrows.

The announcer, who had been standing near the stage entrance, looked toward the event director.

Behind the curtain, Vanessa shook her head.

I saw her mouth the words, Don't.

But I didn't look away.

Evelyn turned to the audience.

“Before we proceed, I think we need to establish something important.””

She gestured toward the champagne gown.

“The construction on that garment appears to contain a distinctive hand-finished detail. Nia has just told us that this particular technique originated with her grandmother.””

The audience fell silent.

Evelyn looked back at me.

“Nia, why is your signature on her gown?””

She was pointing toward Vanessa.

Not at the woman herself.

At the champagne-colored gown she was wearing.

I stared at the garment.

My grandmother's signature stitching.

The same pattern I had learned when I was a little girl.

The same detail I had carefully hidden beneath the lining of every original creation.

I looked at Vanessa.

Her hand had stopped moving over the silk.

She glanced down at the waist, then toward Gloria.

Gloria's face had gone pale.

I took a breath.

“I can explain.””

Evelyn nodded.

“Then I would like you to.””

I looked toward the judges' table.

Then toward the audience.

And finally, I turned my eyes toward Vanessa.

“Before I answer, there's something everyone needs to understand.””

Vanessa suddenly stepped out from behind the curtain.

“That's enough!””

Her voice cut through the ballroom.

She marched toward the stage, one hand gripping the champagne gown.

“She's trying to sabotage my collection because she couldn't handle losing her studio.””

A few guests exchanged uncomfortable glances.

Evelyn didn't move.

“Miss Reed, nobody has accused you of anything yet.””

Vanessa laughed sharply.

“Then why is she standing there pretending my dress belongs to her?””

I looked at her.

“Because it does.””

Vanessa's face reddened.

“You have no proof.””

I reached for the small wooden box that Lily had brought from backstage.

“Actually, Vanessa, I brought something tonight.””

Her eyes moved toward the box.

For the first time, she looked genuinely afraid.

May you like

And I knew exactly why.

Because the box contained something she had never known I kept.

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