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Chapter 8: The Notebook That Changed Everything

Vanessa ran.

She pushed past Dad and hurried down the stairs, clutching my mother's notebook against her chest.

"Vanessa!"" Dad shouted.

"Stop!""

She ignored him.

I followed her into the hallway, my heart hammering so hard that I could barely hear my own footsteps.

At the front door, she turned and pointed at me.

"You have no idea what you're doing!""

"Then explain it!""

"You think that notebook will save you? You think Adrian Vale will suddenly make you famous because your mother once worked with him?""

"I don't care about being famous.""

"Don't lie to me!""

Her voice cracked.

For a moment, she looked less like the woman who controlled our household and more like someone watching years of carefully constructed lies collapse.

Then she pulled the door open.

Dad stepped between her and the exit.

"Put the notebook down.""

Vanessa stared at him.

"Move.""

"No.""

"You owe me everything, Marcus.""

He shook his head.

"I owe Nia an apology.""

The words seemed to strike Vanessa harder than any accusation.

She looked from him to me, then back to the notebook.

Finally, she threw it onto the hallway table.

"Fine. Take it. See what your precious mother left behind.""

She stormed out into the rain.

Dad started after her, but I caught his sleeve.

"Let her go.""

He looked at me, torn between anger and fear.

"She's my wife.""

"And I'm your daughter.""

He stopped.

I picked up the notebook.

The cover was damp from Vanessa's hands, but the pages inside were intact. I opened it carefully, afraid that the paper might tear.

The first pages contained sketches.

Dozens of them.

Some were familiar: the sculpted shoulders, the flowing skirts, the pearl details that had shaped my own graduation gown. Others were designs I had never seen before, including an intricate collection of evening dresses built around hidden seams and reversible panels.

My mother had filled the margins with notes about fabric weights, construction methods, and the names of suppliers.

But near the back, I found something different.

A folded document was tucked into a pocket sewn into the notebook's spine.

I removed it.

The paper bore the logo of a New York law firm.

At the top were the words:

*DESIGN OWNERSHIP AND LICENSING AGREEMENT.*

Below them were three names.

Elena Carter.

Adrian Vale.

Vanessa Sinclair.

My hands trembled as I read.

The agreement stated that Elena retained ownership of her original designs. Adrian's company could manufacture and distribute the collection under a licensing arrangement, with royalties paid directly to Elena.

Vanessa's company had been listed as a temporary financial administrator.

It had no ownership rights.

No authority to sell the designs.

And no permission to claim authorship.

At the bottom, two signatures had been witnessed by an attorney.

My mother's signature.

And Adrian Vale's.

I looked up at Dad.

"Mom didn't give her the designs.""

He shook his head slowly.

"No.""

"She never owed Vanessa money.""

"I don't think so.""

I held up the document.

"This says Vanessa was supposed to manage the royalties, not take them.""

Dad sat heavily on the stairs.

"I didn't know.""

I looked at him for a long time.

Maybe he truly hadn't known the details.

But he had known enough to ask questions.

He had chosen not to.

I returned to the notebook.

Behind the agreement was a handwritten list of payments, dates, and account numbers. Several entries were marked with red circles.

One entry stood out.

*Royalty payment — $126,000. Redirected by V.S.*

The date was five months before my mother's death.

Another entry showed a payment of $84,000 that had never reached her account.

At the bottom of the page, Mom had written:

If anything happens to me, these records must reach Nia when she is old enough to understand. The designs are hers to protect, but she must never be forced to fight alone.

I pressed the page against my chest.

She had known something was wrong.

She had been preparing for the possibility that she might not be able to explain it herself.

Dad sat beside me.

"Let me see.""

I handed him the notebook.

He read the entries, his face growing paler with each line.

"Vanessa told me the company was struggling. She said she had invested her own money into your mother's work.""

"She used Mom's royalties.""

"I didn't know.""

I looked at him.

"You keep saying that.""

His eyes filled.

"I know.""

For once, he didn't defend himself.

He simply sat there, holding the evidence of a betrayal he had helped conceal by refusing to look closely enough.

My phone rang.

Adrian.

I answered and put him on speaker.

"Did you find anything?"" he asked.

I looked at the notebook.

"We found the original licensing agreement. Mom retained ownership of her designs. Vanessa was only supposed to manage the royalties.""

There was a sharp intake of breath.

"Read me the names on the document.""

I did.

When I finished, Adrian was silent.

Then he said, "Nia, that agreement changes everything.""

"Can it prove Brianna stole my design?""

"It can establish your mother's ownership of the original collection and help explain why Vanessa wanted the notebook. Your own dated sketches and construction records will establish your authorship of the new gown.""

"So we can stop her?""

"We can challenge the submission. And if the records are authentic, we can begin investigating what happened to your mother's royalties.""

I looked at Dad.

"What about the missing forty-two thousand dollars?""

"That will require separate financial records," Adrian said.

"But the notebook gives us a reason to request them.""

Dad leaned toward the phone.

"Mr. Vale, I need to tell you something. Vanessa told me Elena had transferred her rights before she died. She showed me a document, and I believed her.""

"Do you still have a copy?""

"No.""

"Think carefully. Emails, bank records, letters—anything connected to that agreement could matter.""

Dad stared at the floor.

"I'll look.""

I wanted to believe him.

But trust was no longer something I could offer simply because someone asked for it.

We photographed every page of the notebook and sent copies to Adrian's legal team. Mrs. Whitmore arranged for the original document to be examined by an independent specialist.

The next morning, we returned to New York.

The competition's legal coordinator agreed to review the evidence before the showcase began.

I sat in a small conference room with Adrian and Mrs. Whitmore while Margaret Ellis examined the agreement, the original sketches, and the dated photographs of my gown.

Brianna arrived with Vanessa shortly before noon.

Brianna wore a cream-colored dress and a diamond bracelet. Vanessa looked immaculate in a navy suit, but her smile was rigid.

When Brianna saw me, she stopped.

"What is she doing here?""

Margaret gestured toward the chairs.

"We are reviewing a dispute involving your submitted design.""

Brianna looked at her mother.

Vanessa spoke first.

"This is ridiculous. My daughter created that gown.""

I placed my sketchbook on the table.

"Then explain why I have photographs of it under construction three months before you submitted it.""

Brianna's cheeks flushed.

"I was inspired by your work.""

"Inspired?""

I turned to her.

"You told the judges it was your original design. You took the dress from my bedroom. You submitted it under your name.""

"You said I could borrow it!""

"I never did.""

Vanessa interrupted.

"She is seventeen. She doesn't understand how these things work.""

Margaret looked up.

"Ms. Hayes, your daughter's submission includes a declaration stating that she personally designed and constructed the gown. Are you suggesting that declaration is inaccurate?""

Vanessa's lips tightened.

"No.""

"Then we need to establish authorship.""

Adrian placed the licensing agreement on the table.

"This document may also be relevant to the ownership of the original design elements.""

Vanessa stared at the paper.

For a fraction of a second, her composure disappeared.

Then she smiled.

"That document is incomplete.""

Adrian's expression hardened.

"Which part?""

"The final page is missing.""

He looked at the agreement.

I felt my stomach tighten.

Vanessa leaned forward.

"The complete contract contained an amendment. Elena transferred her designs to Sinclair Holdings before she died.""

Margaret turned toward her.

"Do you have a copy of that amendment?""

Vanessa's smile returned.

"Of course.""

She opened her handbag and removed a document in a clear plastic sleeve.

My father's face went white when he saw it.

Because at the bottom of the page was his signature.

And above it was a statement that he had witnessed my mother's transfer of ownership.

I stared at him.

"Did you sign that?""

Dad looked as though he couldn't breathe.

"I've never seen that document before.""

Vanessa placed it neatly beside the original agreement.

"Then perhaps you should explain why your signature is on it.""

The room fell silent.

May you like

And for the first time, I wondered whether my stepmother had forged more than my mother's name.

She might have forged my father's life, too.

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